Related Paintings of unknow artist :. | Cats with fagelunge in mouth | Still life floral, all kinds of reality flowers oil painting 66 | European city landscape, street landsacpe, construction, frontstore, building and architecture.037 | Review Palace magnanimo | A View in the Island of New Caledonia in the South |
Related Artists:
Albert goodwin,r.w.s
1845-1932 English painter. During the early 1860s Goodwin studied with Arthur Hughes and Ford Madox Brown, who predicted that his pupil would become 'one of the greatest landscape painters of the age'. Hughes and Brown impressed on Goodwin the Pre-Raphaelite principles of high finish, vivid colour and working directly from nature that inform his early landscape style,
Daret, Jean
Flemish Baroque Era Painter, 1613-1668 French painter. He came from Brussels and trained there before going on the traditional journey to Italy, which not only took him to Rome but also brought him into contact with contemporary masters at Bologna. While in Italy he produced a Self-portrait (1636; St Petersburg, Hermitage), which alludes to both his ideal model and the necessary basis of his work: his right hand rests on a fragment of antique sculpture, while beside his palette in the foreground lie several sheets of drawings.
PERRONNEAU, Jean-Baptiste
French Rococo Era Painter, ca.1715-1783 French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,